Unconquered
Today We Live
They Came to Cordura
the First Kiss
The Wreck of the Mary Deare
The Wolf Song
The Winning of Barbara Worth
The Wedding Night
The Virginian
The Texan
The Story of Dr. Wassell
The Spoilers
The Real Glory
The Plainsman
The Naked Edge
The Lives of a Bengal Lancer
The Legion of the Condemned
The Last Outlaw
The Hanging Tree
Maria’s Notes
The Hanging Tree is a film that was particularly close to my father’s heart. Certain things resonated for him relating to his Montana childhood, the lure of the gold rush days in 1873 and many of the flaws in our human nature so graphically depicted in the plot of the film. As the main character, a doctor named Joe Frail, it also provided my father with a chance to play a much darker role than usually attributed to Gary Cooper. The atypical Cooper role in the persona of Dr. Frail is not one his public was used to seeing him in and he relished the chance to play a role that stretched him. The superb cast of Maria Schell (her first American film), the wonderful Karl Malden, seasoned director Delmer Daves, came together to make this the unique film that it is. Del Daves sometimes seemed to vanish from the camp near Yakima, Washington. In the course of filming, it was discovered that he was an avid amateur geologist and rock/mineral collector and he would venture off on his own personal expeditions to find a special kind of ancient rock formation – or perhaps it was the remnants of some gold nuggets flushed out of the mountains after a heavy rain. At one point, Daves took ill and Karl Malden came to the rescue encouraged by my father to take the reins as needed. I still have a gold nugget from the site that my father made into a pendant.
As I watched my father Gary Cooper's film The Hanging Tree now, 60 plus years after it was made, I am more aware than ever of how natural Gary Cooper’s acting style was - though I don’t think he would have referred to himself as having an “acting style.” He worked at immersing himself in the character and then let his intuitive feelings and emotions about who that character was, what drove him to be and do the things he did, come naturally then he said, “I don’t have to act.” As an unusual Gary Cooper type in The Hanging Tree, he portrays a much “darker” hero and his face reflects layers of inner conflicts not usually identified with a typical Western hero, particularly Gary Cooper. His character, a doctor named Joe Frail, is trying to escape his past memories - most raw, his personal wounding by his betrayal by his wife with his own brother. Maria Schell, the beautiful talented actress from Germany, is given her first American film and she is given a more complex female role than those usually handed to women in a Western film - she is neither a prostitute nor a school marm. There is a haunting musical score by Max Steiner and performed by Marty Robbins that threads through the film as it captures the emotional drama of anger, sadness and ultimately love which is portrayed at the end of the film.
Maria Cooper Janis